FAQs


How can my organization join NAFHCO?

We began with a core group of nine organizations who have all met the requirements and submitted to an artistic review by the artistic integrity committee. If you feel your organization meets all requirements, please contact us via email: info@nafhco.org.

Who runs NAFHCO?

NAFHCO is governed by a Board of Directors, which consists of one representative of each member organization as well as several community members who fulfill needed roles on the board such as legal, finance and governance.

What are the standards by which excellence is judged in this work?

The founding organizations have developed a rubric together by which standards are measured for each organization.

How can we share our experiences and learn from each other online?

NAFHCO member organizations are highly present on social media and offer periodic workshops and conferences on healthcare clowning. Some of these are open to non-members as well.

How often does the organization meet?

The Board of Directors meets quarterly. The organization as a whole strives to meet annual for a conference that includes artistic and business exchanges.

Can an organization be asked to leave NAFHCO?

If at any time there is a clear breach of the requirements by an organization, they would first be given an opportunity to correct the issue (unless it is beyond repair). If the issue persists, the Board of NAFHCO could vote to revoke their membership.

Where can I learn more about Healthcare Clowning?

Recommended books include Medical Clowning: The Healing Performance by Amnon Raviv and Beyond The Red Nose by Tiffany Riley.

How do I get started with Healthcare Clowning?

The practice of healthcare clowning starts with meeting each individual where they are at. This requires staying present and flexibility along with creativity. To enhance and maintain your practice of staying present and flexible, look into improv! Google “improv near me.” If they're aren't any classes nearby, there are plenty of resources on improv, like the book Impro: Improvisation and the Theatre by Keith Johnstone.